
Rita Kirkman
Rita Kirkman
Rita Kirkman
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Fuzzy Friends


If you'd like to just show some tangible appreciation of the work that I create, I'd love for you to be my Fuzzy Friend! Enjoy all my public posts, including descriptive photo posts, short speed demos, random pastel-related tips, and occasional short video clips. Help me keep my coffee jar filled with my favorite organic dark roast decaf!
- Warm Fuzzy Feelings!
- Behind-the-scenes content
- Love and Appreciation!
- Visual Delights!
Bunny Buddies


In addition to all the public post benefits of my Fuzzy Friends, my Bunny Buddies will receive access to the full-length video recordings of my Virtual Open Studio Days (VOS). These may have a variety of content from pasteling and underpainting, to prep work or Photoshop editing or drawing, among other things. There are currently more than 150 full-length Premium video posts here, over 30 of these are Paint-Alongs! Not only that, but on average there are 3 or 4 new VOS videos each month, uploaded usually a few days after each VOS. Super deal, huh?
- Behind-the-scenes content
- Video Demos with Tutorial Content
- Occasional Polls and Surveys
- Love and Appreciation!
- Patron-only Posts and Messages
Moo-tastic Muses


As one of my Moo-tastic Muses, you will get to enjoy: all my public posts, ALL the full-length Premium Video posts from the Virtual Open Studio days (over 150 so far!) AND invitations to ALL of the LIVE Virtual Open Studio Days on Zoom, including the Paint-Alongs!
AND JUST ADDED: By popular demand - Quarterly Critiques! After 3 months, and every 3 months thereafter, each Moo-tastic Muse is welcome to send me one or two painting images for a professional critique via Zoom appointment (up to 30 minutes), or written email. I'll be ironing out the fine print in a post and will link here soon.
I look forward to seeing you, and your artwork!
- Love and Appreciation!
- Patron-only Posts and Messages
- Occasional Polls and Surveys
- Video Demos with Tutorial Content
- Live VOS Invitations
- Behind-the-scenes content
- Quarterly Art Critiques