Mike D'Angelo is creating Words on film. (Two minutes later.) Words on film.
353

patrons

$1,024
per month
If you've found your way here, you almost surely know who I am (some dude) and what I do (blather on about movies I see). So let's skip the introduction and just get to why I've finally, with great reluctance, created this Patreon account.

What it boils down to is this: A recent downturn in freelance income (which I don't anticipate reversing itself anytime soon) has forced me to expend a bunch of hours making money by other means. Not your problem, obviously. However, as you may have noticed if you regularly peruse my Letterboxd page, this new arrangement leaves me with considerably less free time in which to write even fairly brief capsule reviews of the films I watch. You'd be surprised, and perhaps alarmed, to learn just how much effort goes into crafting those (usually) single-paragraph thoughts; dashing stuff off just isn't my style, even when it comes to writing that I do strictly for fun/myself.

So I'd decided that I have to stop. And I likely will soon stop (apart from basic logging/rating, which only takes a few seconds, plus links to professional reviews; that's what most of my friends and peers already sensibly do on Letterboxd, because why on earth would you devote numerous hours every week to unpaid labor?). But the thought of stopping pains me, because I've always believed these condensed, informal, barely contextualized capsules—which I wrote for many years on my personal website and blog before moving them to Letterboxd a few years back—to be my best work. Not that I don't put a great deal of effort into my professional reviews, but there's something immensely freeing about this particular format, in which I assume that Ideal Reader shares with me a certain knowledge base, and thus merrily dispense with throat-clearing and table-setting and plot summaries and anything else that isn't pure, uncut personal reaction. These "drive-by" reviews, as I once dubbed them, are still work, but they're also a lot of fun, which is why I've spent the past 20+ years writing them gratis. It's just that the pro bono criticism was being underwritten by the pro criticism, which until recently paid well enough (barely subsistence level!) that it afforded me enough time to do both.

Lamenting this impending loss, I keep looking at my 10,000+ Letterboxd followers and wishing I could somehow persuade each of them to pay me just $1 per month. They wouldn't even notice that dollar missing, and I'd be richer than I've ever been in my entire life (by a significant margin; candidly, I've never made more than 1/3 of $120K). Obviously, that's completely unrealistic—most of the random folks who follow me on Letterboxd wouldn't even notice if my reviews stopped showing up in their feed. But even, say, 200 people willing to toss me $2/mo would buy me back enough man-hours to maintain my previous output.

So, what the hell, let's give it a shot. My expectation is that this won't work—that I won't attract enough patrons to make it worthwhile. (I say that not out of general pessimism or any lack of self-esteem, but after looking around at the Patreon accounts of some other film writers.) If that's the case, I'll shut this down pretty quickly. But if you enjoy my non-professional writing and would be distressed by its abrupt demise, here's a potential means of life support. For fun, and because Patreon all but strongarms you into doing so, I've created a few slightly pricier tiers that offer so-called "rewards," e.g. the ability to request that I watch/review some particular film. But I'm mostly hoping that enough people will part with the price of a donut, or even a donut plus a cup of coffee, to make writing the fun, non-pro stuff financially feasible at this moment. As I say, probably not. But y'all surprised the hell out of me a decade ago when I asked for funds to attend Cannes, during a brief period of extreme broke-itude, and I (paradoxically) wouldn't be all that surprised if you surprised me again. 
Tiers
Might as well be free!
$1 or more per month 140 patrons
• Early access to reviews (which will be posted here a month or so before being added to Letterboxd).


• I'm super grateful.

Still basically who cares?
$2 or more per month 90 patrons
• Early access to reviews (which will be posted here a month or so before being added to Letterboxd).


• I'm twice as grateful.

Now you're being swell.
$5 or more per month 86 patrons
• Early access to reviews (which will be posted here a month or so before being added to Letterboxd).


• Ability to vote in polls deciding which film I'll watch/review.


• I'm 4.2 times as grateful. (It's complicated.)

We are neither worthy nor plural.
$10 or more per month 33 patrons
• Early access to reviews (which will be posted here a month or so before being added to Letterboxd).


• Ability to vote in polls deciding which film I'll watch/review.


• Ability to request that I watch/review a specific film. (Limit one request per month; must be a film that I either haven't yet seen or haven't yet rated on the needlessly precise 100-point scale.) 


• I'm obscenely grateful. Avert your eyes.

Strictly for the rich and/or fanatical.
$25 or more per month 3 patrons
• Early access to reviews (which will be posted here a month or so before being added to Letterboxd).


• Ability to vote in polls deciding which film I'll watch/review.


• Ability to request that I watch/review a specific film. (Limit one request per month; must be a film that I either haven't yet seen or haven't yet rated on the needlessly precise 100-point scale.) 


• You know what, for this price you can pretty much just name some other service you'd like me to provide and I'll deliver if I can.


• You're okay in my book.

If you've found your way here, you almost surely know who I am (some dude) and what I do (blather on about movies I see). So let's skip the introduction and just get to why I've finally, with great reluctance, created this Patreon account.

What it boils down to is this: A recent downturn in freelance income (which I don't anticipate reversing itself anytime soon) has forced me to expend a bunch of hours making money by other means. Not your problem, obviously. However, as you may have noticed if you regularly peruse my Letterboxd page, this new arrangement leaves me with considerably less free time in which to write even fairly brief capsule reviews of the films I watch. You'd be surprised, and perhaps alarmed, to learn just how much effort goes into crafting those (usually) single-paragraph thoughts; dashing stuff off just isn't my style, even when it comes to writing that I do strictly for fun/myself.

So I'd decided that I have to stop. And I likely will soon stop (apart from basic logging/rating, which only takes a few seconds, plus links to professional reviews; that's what most of my friends and peers already sensibly do on Letterboxd, because why on earth would you devote numerous hours every week to unpaid labor?). But the thought of stopping pains me, because I've always believed these condensed, informal, barely contextualized capsules—which I wrote for many years on my personal website and blog before moving them to Letterboxd a few years back—to be my best work. Not that I don't put a great deal of effort into my professional reviews, but there's something immensely freeing about this particular format, in which I assume that Ideal Reader shares with me a certain knowledge base, and thus merrily dispense with throat-clearing and table-setting and plot summaries and anything else that isn't pure, uncut personal reaction. These "drive-by" reviews, as I once dubbed them, are still work, but they're also a lot of fun, which is why I've spent the past 20+ years writing them gratis. It's just that the pro bono criticism was being underwritten by the pro criticism, which until recently paid well enough (barely subsistence level!) that it afforded me enough time to do both.

Lamenting this impending loss, I keep looking at my 10,000+ Letterboxd followers and wishing I could somehow persuade each of them to pay me just $1 per month. They wouldn't even notice that dollar missing, and I'd be richer than I've ever been in my entire life (by a significant margin; candidly, I've never made more than 1/3 of $120K). Obviously, that's completely unrealistic—most of the random folks who follow me on Letterboxd wouldn't even notice if my reviews stopped showing up in their feed. But even, say, 200 people willing to toss me $2/mo would buy me back enough man-hours to maintain my previous output.

So, what the hell, let's give it a shot. My expectation is that this won't work—that I won't attract enough patrons to make it worthwhile. (I say that not out of general pessimism or any lack of self-esteem, but after looking around at the Patreon accounts of some other film writers.) If that's the case, I'll shut this down pretty quickly. But if you enjoy my non-professional writing and would be distressed by its abrupt demise, here's a potential means of life support. For fun, and because Patreon all but strongarms you into doing so, I've created a few slightly pricier tiers that offer so-called "rewards," e.g. the ability to request that I watch/review some particular film. But I'm mostly hoping that enough people will part with the price of a donut, or even a donut plus a cup of coffee, to make writing the fun, non-pro stuff financially feasible at this moment. As I say, probably not. But y'all surprised the hell out of me a decade ago when I asked for funds to attend Cannes, during a brief period of extreme broke-itude, and I (paradoxically) wouldn't be all that surprised if you surprised me again. 

Recent posts by Mike D'Angelo

Tiers
Might as well be free!
$1 or more per month 140 patrons
• Early access to reviews (which will be posted here a month or so before being added to Letterboxd).


• I'm super grateful.

Still basically who cares?
$2 or more per month 90 patrons
• Early access to reviews (which will be posted here a month or so before being added to Letterboxd).


• I'm twice as grateful.

Now you're being swell.
$5 or more per month 86 patrons
• Early access to reviews (which will be posted here a month or so before being added to Letterboxd).


• Ability to vote in polls deciding which film I'll watch/review.


• I'm 4.2 times as grateful. (It's complicated.)

We are neither worthy nor plural.
$10 or more per month 33 patrons
• Early access to reviews (which will be posted here a month or so before being added to Letterboxd).


• Ability to vote in polls deciding which film I'll watch/review.


• Ability to request that I watch/review a specific film. (Limit one request per month; must be a film that I either haven't yet seen or haven't yet rated on the needlessly precise 100-point scale.) 


• I'm obscenely grateful. Avert your eyes.

Strictly for the rich and/or fanatical.
$25 or more per month 3 patrons
• Early access to reviews (which will be posted here a month or so before being added to Letterboxd).


• Ability to vote in polls deciding which film I'll watch/review.


• Ability to request that I watch/review a specific film. (Limit one request per month; must be a film that I either haven't yet seen or haven't yet rated on the needlessly precise 100-point scale.) 


• You know what, for this price you can pretty much just name some other service you'd like me to provide and I'll deliver if I can.


• You're okay in my book.