I am nearing the end of my draft of YEMI (the black mermaid WIP)(!!!!!), so thought I'd drop a little treat here.
I write a lot of shorts in my Three Known Worlds universe, the most notable of which so far is Chesirah published in FIYAH #1 and reprinted at PodCastle and Pulpture Ediciones. They tend to be vignettes of key characters or snapshots of lesser known histories (see A Ruin of Shadows). The shorts add depth to my worlds and serve as something of a word dump for back stories I can't reasonably work into a novel-length work on pain of a bloated word count.
YEMI features an iteration of famed sea witch "Ursula" as canon to my Three Known Worlds universe. This version of her is the origin, the creator of merfolk, salvaged from the drowning dead slaves and criminals of Irth. They were called "urfolk" first, before the "mer" was appended due to the linguistic customs of our reality, a feat explained in YEMI.
Ursla is effectively the first god to traverse realities as dictated by the lore of the Three Known Worlds. TKW maintains that many of the gods, the mythical beings with which we are familiar in our plane of existence were once (and still are) real, having migrated here from some other place in time and inevitably migrated elsewhere again at whim.
From Witch to Queen and God is something of an origin story for Ursla, and the character as depicted here will be carried into new adventures (though similar aspirations) in YEMI.
FROM WITCH TO QUEEN AND GOD
By L D Lewis
Twilight and the islands are on fire.
The witch walks out of the sea on two legs alongside her men, armed to the teeth with fury meant to carry them through Eros’s liberation. She’s forgotten the weight of locs drenched in seawater and what it is to have knees, the flex of heel and toe and the very concept of footing as she moves out of the surf across pebbled sand and silt. Stammered steps are unbecoming of a sea queen but no one who should fear her notices.
Her men are warriors, the damned redeemed with her power to back them. Many of them still bear the mark of their past lives’ crimes, cut or branded into their necks. Debtors, absconders, escaped slaves in all their forms, all sentenced to death, all choosing instead the service of the witch, The Obe Ursla. She has lent them her power to free the families they left behind.
This is not altruism. This is an exchange.
Their motley fleet of pilfered ships are allowed to run aground as bombs and the world shakes around them. The brick and stone buildings of Governor Island loom dark against the sky, flickering against the hellfire sunrise being lit by battles in the streets below them. They fight merchants and the comfortable private militias of slavers. Victory is imminent.
The witch follows her personal guard across cobblestones to the Governor’s palace. They are four mountainous men with battle axes and mad eyes. They clear her path with violence. The streets are alive with war cries and clashing metal, the scraping of golden baubles against brick walls as aristocrats slump gurgling to where they will finally die. She is of little help with the sword in her fist but she carries it anyway. She is not a god, not yet. Her power is not infinite. It takes all of it to keep her army breathing and upright as they invade eleven islands, to keep the storm roiling in the east and the foreigners at bay. By now she is masterful at masking the strain.
Akil, the youngest of her legion sticks close to her as her shield. He is wiry and quick with his sickled sword. He is branded “V” for vandal just below his right ear. The symbol marks the end of a crude line across his throat where the chain meant to strangle him to death succeeded only in permanently damaging his vocal cords. He is grown now, but he was eight when the Governor condemned him.
The Governor’s Palace is on the east end of a brick courtyard and spans half a city block. The witch watches a silhouette disappear from a high balcony as they approach. Akil presses her back into a shadowed doorway until the way is clear. Her men are zealous in their revenge and waste no time engaging the pitiable group of soldiers mustered in the square.
Black lances and battle axes swing in whistling spirals cut by the sounds of protest and splattering flesh and the violent crashing of the Governor’s great oak door. Akil nods for her to follow him inside and they quickly overstep the scattered bodies to enter the Governor’s foyer. It is a needlessly opulent hall lined with ugly, valuable, fragile things on pedestals. Her men move quickly through every door, fishing for cowering enemies but find only the help staring wide-eyed and confused as they are ushered kindly to the foyer.
“Where is the Governor?” the witch asks.
The cook, the bootblack, the maid all do some version of pointing upward, waiting, it seemed, for a sentence of their own. All are elders. All have been through some version of this before. New lords came to Eros almost with the seasons.
“Do you know who I am?” the witch asks.
One of her guard, a man named Omar with a bald head and a D for “debtor” carved into his neck steps forward. “By the grace of the Roaming Queen, the Obe Ursla, who abides in the waters you are freed.”
It is sort of a foolish, needlessly dramatic thing, something a herald might say that wouldn’t mortify her nearly as much if she wasn’t standing right there. She is shorter than most queens, she imagines. Her hips are wider, her face rounder. There are by far more curves than lines to her altogether. Her boots are dirty. The workers look unconvinced. She doesn’t blame them.
“Wait here for now. The soldiers will kill you out there if they think you are with us,” she tells them and starts up the stairs.
“... I do know you…” she hears, and turns back. The cook — decided by her dirty apron and cooking oil scent — has grabbed Omar by the wrist and stares him long in the face.
“Your mother is Della isn’t she? Omar?”
“Titia?” Omar squints. The woman who is apparently Titia gasps and steps backward onto the toes of the bootblack.
“By the… you died! You died, boy! They dropped you...”
“We don’t have time for this,” the witch declares. Her heart flutters as if it knows it is on unsteady ground. They have to be back in the water soon.
Omar nods and squeezes Titia’s hands one good time before joining the others on the staircase. Titia watches, the confusion on her face mingled by a clear disdain for the Roaming Queen’s insistence.
There are few guards in the upstairs hallway and the carpet is nice. Akil does not have to break stride to cut them down, easy as they are for the others to handle. He does, however, kick in a dark door at the end of the hall. The soldiers’ positioning gave away its importance.
It is a bedroom. A thin man, relatively young and with sand-colored hair yelps inside. The witch watches him take in the fact that they wear no uniforms. This is not a foreign invasion. This is an uprising.
“Who are you?” He stammers, trying to find a place for his tone somewhere between authoritative and amicable. He thinks they are slaves to be reasoned with at least until rescue arrives, but he isn’t sure. Something about the way the warriors look at him, the way the witch looks at him, suggests this will end badly.
The witch steps from behind Akil, prepared to do her own work this one time. “Are you the Governor of Eros?” she asks.
“I… yes. Why?” he backs away.
“On your knees,” she commands.
“I’m sorry?” he scoffs.
The witch smiles and points to the lovely carpet with her sword. “On your knees.”
He doesn’t seem to take her seriously until he takes stock of the eyes on him in this room. He is half the size of any man and even less armed. He goes to the floor on his knees.
“Your settlement here is theft,” the witch continues. “It was not given to you by the people of Eros and so it has been reclaimed. Your services are no longer required.”
“I don’t unders—”
The words catch where the blood pools in his throat. The witch has cut it suddenly. His brow furrows in confusion before his eyes go vacant and he topples the rest of the way over.
The witch flexes her hand, put off by the feel of someone else’s blood. She had only killed a man by her own hand once before and hadn’t developed a taste for it in the decade or so since. The skin of her fingers crackles and begins to split at the knuckles; her neck scratches in pieces on the collar of her shirt as she begins to dry out. The sensation makes her grind her teeth. She cannot be this far from the ocean for too long, not with her power spread so thin. She wipes her blade clean and discards it with a clatter on a stately, round drawing table in the middle of the room before turning back to her guards.
“Take him,” she commands, nodding at the governor bleeding into the rug and donning a pair of damp leather gloves. “Find the Captain. Bring him to me here.”
Most of them leave, carrying the governor’s body between them. Akil lingers.
The sea witch sucks her teeth and waits for him to move. “You should go. You know better than they do who they’re looking for.”
“Forgive me, Mother,” he signs. “Is this a mistake?”
“I don’t make mistakes. You deserve your vengeance. The islands deserve their freedom. And I deserve worship for giving it to them.”
He just watches her with those warm eyes of his, like some smug, simpering child placating a mad, ancient mother. The skin of his face is dark and silk and handsome as Night himself once was. Irritated, she imagines his other fate as a bloated carcass, a drowned ghost pecked to dust by the sea's listless creatures. Perhaps she should not have saved him. Perhaps he'd have been more use to her that way.
“If you die here?” Akil signs.
She sighs and opens a tall, stained glass window overlooking the port and a wall of lightning on the horizon. “Then we all die here,” she says plainly and signs her words in firm, staccato gestures for the drama in it. “So stop wasting time.”
Akil nods once and leaves the door closed behind him. A needling sensation pierces between her ribs and she knows it’s because one of her fighters has been killed. She braces herself against the high window sill and allows herself a wince. War’s ash and ember drift inside on the sea breeze to taint the heavy drapes and blood-soaked carpet. The fight is loud on the city streets beneath her. She closes her eyes and listens to the music of violence, of her rise from witch and queen to god, and breathes until the pain subsides.
She was a child when the Old Gods departed for more entertaining corners of the cosmos and left Man to his hubris and the misery borne of it. The Obe were her parents and grandparents, elders forced to free themselves from Eros’s foreign kings because worshiping the Old Gods had done nothing to help. Obe magic was weaponized magic. It was survival magic.
It was retribution magic if she used it right.
So ever the opportunist, Ursla left her people in their exile and stepped into the sea where Men could not follow. She used her Obe magic to become its queen, making her legions from those condemned to drown by overwhelmed flesh traffickers and bitter kings.
She was at her loveliest when the damned descended to her depths if only to seduce them to her rule. Her dark skin, almost blue and iridescent, ran smooth over ample, soft curves that gave way to black tentacles at her hips, dotted with pale lights and braided into a fishtail so as not to frighten them off. Locs white as bleached coral streamed from her head beneath a crown of sea glass.
She would stare into the faces of the damned with mirrored eyes, cradle their faces in her cold hands and whisper sweetly into their thoughts “you do not have to die here. Not if you love me.”
Those who jerked their heads away or gaped in horror until their lungs collapsed resigned themselves to death and the deep. She let them sink. The smart ones would nod; and she would smile something sinister in the dark and kiss them with full lips, breathing into them the magic they would need to live under the sea. Their new gills, their pearlescent fishtails, were only the beginning of what it would mean to love her.
Their families, though, remained on the islands under the yoke of whatever wars or masters were seizing them at the time. Far be it from her to give a damn, but if she wanted to become more than a witch, more than the sea queen, she needed the reverence of Men. Becoming a deity was a question of politics. So she would see them freed and they would have her and no other god to thank for it.
The witch smokes his pipe — the dead governor’s. She found it half-packed on the nightstand beside a box of long fireplace matches and a crystal bowl of burnt-out leavings. It is an old vice from her days when she lived on land. Her lungs remember the feeling; she has only coughed once. The tobacco tastes like soured pumpkin. She’s had better.
A hard knock at the door. Her guest has arrived after an hour has passed. She takes her moments before ordering them in. Best to be done with this quickly, she thinks. But not so quick as to seem rushed. Remember a god has all the time in the world.
The door opens with a creak and Akil strides in, his face stoic and revealing nothing of his doubts. He stands beside her. A battered man in a blood-stained uniform is shoved into the room behind him and the door closes again. He is of average height with a remarkably round head. His face is creased, weather beaten, and dripping in sweat. He is panting. He’s been fighting. He glares at her, at Akil where he stands between them, the whites of his narrowed eyes yellow with age. As ordered, the guards have not disarmed him. He will have a chance to choose not to abuse that courtesy.
“You are Captain Benta?” the witch asks.
“Where is the Governor?” He demands.
“You’re standing in him.” The witch nods at the captain’s feet. He barely startles as he glances down as the glistening pool. He’s seen blood before. His hand does fly reflexively to the sword on his hip, though, and Akil steps forward, drawing his own scimitar quick as a twitch.
The white caps of peaking waves outside the window rise to match the arc of the witch’s grin. She takes a seat at the dead governor’s drawing table.
“Please sit,” she offers.
“I’ll stand,” the captain says, dropping his hands again warily at his sides. He squints in the dark, studying her face. She lets him.
“How do I know you?”
"The Drowned Mother, The Roaming Queen. But for our relationship, I would allow you to call me Ursla."
“The Obe? The Sea Witch?”
"Careful," her smile falters and the waters beyond the bay crackle to stony stillness. "’Witch’ is what you call the gods you intend to kill. You don't want me to take it as a threat. Not before I've made my offer."
“What offer am I going to accept from a demon?”
Ursla considers this a moment, wondering if diplomacy is even possible when the other party starts out discourse by insulting you twice. “Did my man here introduce… re-introduce himself to you on the way in?” she asks instead.
The captain grunts a no.
“About ten years ago a ship bound for Boorhia carrying forty-eight souls for trade arrives at its destination at Porto das Ilhas Loiras with only twelve. Among the missing is an eight-year-old boy. He tells me you’re the one to see about that math.”
Akil glares and makes a tough show of craning his neck, cracking it this way and that to flex his scars.
“You’d be that boy I take it,” says the captain, unimpressed.
“You’ll be wanting to tell him why you wrapped chains around his neck and kicked him off the ship like a sack of bad meat,” says the witch.
“Now why would I do that? Nobody who died like they was supposed to got an explanation.”
“He’s not dead, though. Explain,” the witch demands. Her throat is tickling with dryness. She tries not to show it.
“If it was a special occasion or something I’d remember you but fact is I don’t,” says Benta, over-loud. “Boorhia stopped taking our unwanted years ago, but the transport ships kept taking commissions from the Eros lords. We collected for each head but only delivered what we knew we could unload. It wasn’t nothing personal, boy. But had you not done whatever you did to be on that ship in the first place, it wouldn’t have mattered.”
“Yes, he’d be a laborer,” says the witch.
“By the cut of him now I’d say they’d fight him in the pits. Now why don’t you tell me why you all are here so I can get to getting you out of my city?” Benta spits.
The witch slides a piece of paper across a table and the Captain unfurls it. A contract.
“You prosper because I allow it. My waters feed you, they sustain your economy, they keep your executed and your dead, and it is by my grace that they do not consume this place entirely. I have never required anything from your people in exchange for these kindnesses,” she says.
“Until now,” she grins. “If you look out that window, you’ll see a storm wall just before the horizon line. That’s mine. Beneath it are two dozen unfriendly warships bound for your territory and the wealth you’ve amassed here. My power is keeping them there until or unless we strike our agreement.” She raises her right hand and dances her fingers like marionette strings. The waves outside the open window mimic her movements.
“So what is it you want?”
“You’ve enslaved your own people to appease foreign masters and I want it undone. I want the allegiance of a freed Eros. Return the islands to the people and allow them to flourish under my protection.”
“I can’t make that decision; I don’t have the authority.” He laughs. It grates on her.
“Assume that you do have the authority,” she waves him off. “Assume that when you walk out of this room every enforcer who would deny your command is now little more than rapidly cooling viscera decorating that lovely carpet you all have in the hallway.”
“You’ve been drinking too much sea water. Do you have any idea how unstable this place would become?”
“Which is why you will be allowed to live. The masters will be an example of my wrath and you, child-killer, will be an example of my mercy. You’ll restabilize the region as the first King of a united Eros under the last living god.”
Suddenly a sharp pain tears through the space between the witch’s eyes and she is forced to shut them tightly. Her balance swoons in the seat and she uses her hands on the table to stabilize herself.
Someone has died badly.
When she opens her eyes again, the captain is studying her and a wry grin creeps across his ancient face.
“I don’t think so,” he says coolly. “I don’t think you will last longer than this conversation. I think you need me to agree otherwise you would just take what you want. And I think you will spend every last remaining second of your life trying to convince me.”
“Then you will die in this room,” she said quietly.
“Not by your hand.”
“Doesn’t have to be mine.”
Akil smiles and again draws his weapon with a sharp sound. This time the old man matches his speed.
“You mean your pup here?” scoffs the Captain. “You’re on borrowed time, boy. What happens, hm, when the witch goes down? Do you melt? Shrivel up like a worm on a dry deck? Or maybe you turn back into the fish she made you and I can gut you right here on this table. No matter. We’ll see.”
Akil is stone; disciplined. If he is suffering at all the witch cannot tell.
The witch sucks her breaths audibly now. What’s left of her body’s moisture emerges as cold sweat on the cracking surface of her skin. She can feel the fissure forming in a jagged line from her scalp down the left side of her face. The shallow flesh it exposes is too dry to even bleed and the Captain eyes her keenly. She will make a fine tavern story.
Diplomacy is useless.
“The hard way then,” the witch manages.
Akil launches himself into the attack with a driving thrust that nearly finishes the fight before it begins and the witch shoves herself clear of the table. Her vision swims as she staggers backward toward the open window. A crash behind her. They’ve upended the table. Between blinks the witch sees the sky and sea are one indiscernible darkness. There is no storm. The wall of lightning has collapsed.
She hears a grunt — has to be Benta’s— and something strikes near her head. Before she can turn around, she too collapses.
Warbled cries like screaming underwater echo in her head and her eyes snap open.
She comes to with her face bouncing against Akil’s back. She can make out little but the blur of cobblestones beneath his feet as he carries her sprinting through the city. Her thoughts are similarly indistinct, somewhere between where are we going and this is undignified. They mingle with the growing sensation of suffocating and the distant awareness that she is dying. She tightens her arms over his shoulders to prove that she can.
He turns his head slightly to acknowledge she is awake.
More cries, louder this time. Akil taps her leg urgently and points ahead of them with his sword. Four men, burly and bearing the king’s colors stand between them and the flickering water of the bay and now Ursla understands: he is trying to get her back to the sea. And he has no intention of slowing down.
“Grip me,” he signs with his fists, and brings them to her hands where they drape over his chest.
The witch has her doubts but there is no time. The soldiers are rushing with their weapons drawn. Akil grunts as he hoists her higher on his hips. With what is left of her energy, she takes up her slack and locks her legs around his waist. She’s underestimated his strength carrying her weight at this speed for this distance. A brief, mortal regret — not telling him often or ever how impressed she is with him — registers as she feels the muscles in his shoulders and back ripple and tense for a strike.
The air is a whirlwind of blades and flailing limbs. She feels the variable tension in Akil’s muscles, the difference between a started and finished attack, between an inserted and extracted blade in the flesh. Here and there a body collapses, but never his. He keeps his back to the wall to keep her out of danger. A short sword sparks against the bricks near her face and she turns away. The sea is so close. She considers jumping off him and making a run for it. But as if he’s read her mind, Akil pulls away from the fight with the last standing warrior and bolts for the edge of the docks. He doesn’t stop until he falls.
Brackish water fills her lungs like fresh air. Her shriveled and split skin returns to its glorious lustre and the stretching of her tentacles as she strips away her clothes feels like the first stretch of being liberated from a coffin after an eternity of sleeping in one.
Another blast and the water vibrates. Half a league beyond the drifting, burning debris, the invaders are arriving. They fire longshot cannons; and the balls sink into the bay just short of landfall.
So close, she fumes. How had she gotten this close and failed so grandly? Soon new invaders will take advantage of the subdued islands after havoc she’s wreaked. What is left of her men will be at their mercy. It will take a lifetime to rebuild her people. She needed a Man on land to speak to Men of her greatness, her terrible mercy. To spread her fame and create the traditions for her worship.
She turns to see Akil writhing nearby, wrestling a tangle of pants from around his sleek, black tail.
“Akil, beloved,” she purred in his thoughts. “How would you like to be king?”
“Come now, you deserve it!” she insists. Her impatience is mounting, subdued rage emanating heat in the water around her. “You know what is at stake. Our people, our family, all dead or in bondage and for nothing. I can feel them. Their dying is like scorpions in my belly. There were many but so few now.”
“So bring them home.” He signs, his face reads deadpan.
“And then what? Their families remain in bondage or worse under the new invaders?”
“You do not have to play me.” He frowns. “I know what you want. And ‘king or death’ is no choice.”
“And yet you must choose. Quickly.”
They stare beyond the surface of the water where the helms of incoming ships have not yet reached the flaming light of the city, but would any moment.
“Tell me first, where would you be without me? Tell me you are a god but I am your savior, and I will be the king you need.”
The witch recoils with a scowl. He stares after her with mirrored eyes and she remembers the boy sinking in chains. She tries to remember the way fear looked on his young face, but all she sees is calm. Has she ever known him to be afraid?
What a little monster.
She adjusts her demeanor to mimic something regal. There is no time. She will play his game.
“Oh Akil…” she muses, wrapping her body and its stream of tentacles around him. “I don’t mind telling you you’ve come a long way from the forgotten, unloved baby vandal pissing in my water while you sank into the deep. You were valiant in defense of your Queen tonight, impressively so. And yes, you saved my life, and while I’m sure you can convince yourself it was a noble and extraordinary deed, you did it just as much to save yourself. You have been a fine warrior and will make quite the king, but because I raised you. Keep that in the worship you build for me and I will allow you to keep your position. Do we have a deal?”
Neither trusts the other. The silent moments are tense, weighted with each one considering caveats to add or subtract from the arrangement. The witch never makes air-tight deals. It is mostly for her own benefit.
Akil nods once, distinctively, so there can be no uncertainty. The witch grins and kisses him on the lips, taking back the sea gifts she’s given him until his fins are legs again and he pushes her away for need of air before he drowns.
“Swim, my King.” She grins. Akil the Man, the naked King of Eros glares back at her as he swims for the surface. Reinvigorated, the witch swims out to where the bay drops off into open ocean. There, she snatches the current and turns it on its side, blasting herself beyond the surface on an inverted waterspout.
Here she sits. She laughs loudly in a voice like thunder. It is fitting, for she is so close now to the clouds. Below and before her are the invaders in their ships, panicking to route themselves around her sudden throne. Behind her, Governor’s Island. King’s Island. It still burns, as do the islands around it. The people are still occupied, still recovering, but that is fine. The show hasn’t started yet.
The witch conjures tentacles in the form of two spouts nearly as high as she. The invaders panic as the water is sucked from beneath them. She watches them choose to swim instead of sail. Unfortunate she isn’t there to make them a deal when they drown.
She draws her arms wide as wings and the water tentacles follow. She brings her hands over her head and tentacles follow. And when she brings them down swift and hard — the descent of an executioner’s axe — the tentacles tear whistling through the air. They tear through the ships, they tear through the sea. They open it to its dry bottom, littered with rocks and long-dead carcasses of grand whales and old ships. The slice is a mile long, visible from shore by the moon and the odd lightning strike in the warm air. The invaders fall into it, their ships topple. A body or two spills first. And as quickly as it opened, the ocean closes again. Silence ensues but for the roar of waves until all is calm again.
When she turns to the islands, the people have gathered near the burning docks. Governors’ soldiers who have managed to survive this long, the remnants of Ursla’s warriors, their freed families. All agape. All in awe.
Akil sits in found clothes on the rocks nearby. There is no dread on his face, only impatience for her theatrics to be over. He has always been hard to impress.
The witch smiles and conjures a voice like eleven voices — a way, she thinks — a god might speak. And to all, but mainly her King, she gives her first divine decree: