31: I Nonlinear Vocalization, You Nonlinear Vocalization
 
In this episode I talk, very calmly and quietly (except for one very particular instance), about screaming. 

It's Halloween Season, you know, so I thought it might be fun to get a little spoopy, and we do eventually wade into the horror genre towards the end. But for the most part this episode covers what screams are, and how they work. It's upon that foundation that we build a sort of understanding about what they mean, especially in situations where there is no actual, literal danger. Hope you enjoy!


From Infiniteguest.org:


THIS WEEK IT’S ALL ABOUT SCREAMS (AAAAA!!!!) Horror and fear screams. It’s not just talking with some extra juice. There is much, much more at work. Physically and psychologically, a scream is a unique thing in human sound production.

Mike explores the what and how, and that they aren’t like shouts or yells. Plus a deep dive into what they mean. And how they function in film. Especially as delivered by women.


MUSIC

-Scream by 2NE1 from Crush
-Physical by Olivia Newton John, Covered by Ten Masked Men from ‘Revenge Of The -Ten Masked Men’
-The Breaking of the Scream by Jose Halac from Sonic Circuits VII
-Murderer by Low from Drums & Guns


SOURCES

The Hard Work of Screaming: Physical Exertion and Affective Labor Among Mexico City’s Punk Vocalists
Author(s): Kelley Tatro
Source: Ethnomusicology, Vol. 58, No. 3 (Fall 2014), pp. 431-453


‘The scream’: Meanings and excesses in early childhood settings
Rachel Rosen
Childhood 2015, Vol. 22(1) 39–52


Phenomenology of the Scream
Author(s): Peter Schwenger
Source: Critical Inquiry, Vol. 40, No. 2 (Winter 2014), pp. 382-395


Nonlinear analysis of irregular animal vocalizations
Isao Tokudaa, et al
J. Acoust. Soc. Am., Vol. 111, No. 6, June 2002


Human Screams Occupy a Privileged Niche in the Communication Soundscape
Luc H. Arnal, Adeen Flinker, Andreas Kleinschmidt, Anne-Lise Giraud, David Poeppel
Current Biology 25, 2051–2056


Do film soundtracks contain nonlinear analogues to influence emotion?
Daniel T. Blumstein1,*, Richard Davitian1 and Peter D. Kaye2
Biol. Lett. (2010) 6, 751–754


The Voice in Cinema by Michel Chion, 2009


And a special thanks to these Reasonably Sound Patrons: Brandon Bennes, Hans Buetow, Xander C, Talia F E, Camilla Greer, Parker Higgins, Anthony Kirkpatrick, Joe Krushinsky, Tod Kurt, Ethan Rose, and Susan Rugnetta.