(PP47. Epiphany 4)
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Previous thoughts. Why do I recommend to make up two technical explorations (at least) of a same topic? To know the work and to prepare yourself to accomplish it in the best way possible. In my case, most of the times, I make up a digital version and then I turn into the traditional techniques or the way around, as it’s the case of this artwork.
The data sheet of this work is:
Title: Epiphany 4
Artist: Veronica Huacuja
Medium: Ink on paper
Size: 11.8 (W) x 8.2 (H) x 0.1 in
- Ink (pen)
- Common white paper (Bond, 90 g / m2)
Technical comments. The initial resources of my painting process are almost anything I have in hand: photographs, articles, clay sculptures (I make my own models), mug shots, true crime snapshots and documentaries, fictional films, among others.
On this occasion, I used diverse snapshots of “Seven” (1995), David Fincher’s brilliant film. The face of one of its characters amazed me with its drama and strange beauty. I used this initial source, and I contextualized it in a different environment.
So, the word epiphany, the title I chose for my artwork, as we may know, means “(...) an experience of a sudden and striking realization” (1), that can be mystical, religious, philosophical, existentialist, etc.
The next image is the artwork I created with digital techniques. I made it after the ink artwork. Its data sheet is:
Title: Epiphany 5
Artist: Veronica Huacuja
Medium: Digital Painting
Collection: Portrait Artwork
Hope you enjoy the work.
To continue reading about the painting process, and what triggered me to make up this artwork, I invite you to subscribe to any of the aforementioned tiers. Besides all the benefits that they offer, you’ll have access to a 9 minute video of this work: EXPLORE YOUR ARTWORK IN DIFFERENT TECHNIQUES BEHIND-SCENES.
For prints of this artwork visit: https://www.artpal.com/VeronicaFineArt/?i=171052-21
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