This was filmed using a Blackmagic 4K Production Camera, vintage Lomo lenses, and Takumar lenses. It was edited and colored in DaVinci Resolve and Adobe Premiere.
The piece was recorded simply, using a heavily modified 1967/1969 Fender Stratocaster, into a Maestro Echoplex, then into a Reeves Custom 50 and 1967 Fender Deluxe Reverb. Microphones used were two Lomo 19A19 valve microphones, into a Summit TPA-200B dual valve microphone preamp, and an API 2500 stereo compressor.
This was recorded and mixed at The Isokon, Woodstock NY, by Goodwin himself.