EXCERPT: No one had ever seen Tatter D’MaLeon’s face. Even those who thought she was just a legend agreed that she was always masked. That was about all anyone agreed upon. Although the female pronoun was usually applied to “her,” even Tatter’s sex was in doubt, as was her humanity, her age, and whether or not she existed. But believe or not, there was scarce a one who didn’t love the stories. Anthropologists had tried to pin down exactly when the first Tatter D’MaLeon stories had been told.
EXCERPT: You’re far more likely to have heard of my artist wife Lucille Hrade than of me. Her paintings have a way of communicating directly to people. They’re realistic—you can see the subjects of her portraits breathe, feel the heat of her sun-baked landscapes—but at the same time, like Andrew Wyeth’s work, they have just enough of what I call the askew in them to make you think you’re daringly enjoying experimental art.
Sam J. Miller is a writer and a community organizer. His debut novel, The Art of Starving (HarperTeen), was one of NPR’s Best Books of 2017, and will be followed by Blackfish City (Ecco) in April 2018. His stories have been nominated for the Nebula, World Fantasy, Andre Norton, and Theodore Sturgeon Awards, and have appeared in over a dozen “year’s best” anthologies. He’s a graduate of the Clarion Science Fiction & Fantasy Writers Workshop, and a winner of the Shirley Jackson Award. He lives in New York City, and is reachable at samjmiller.com.