This post consists of the foreword and excerpts from my private post, TRUCKIN’ THE TRUE ~ EXPLAINED. The purpose is to give a public sample of my private content.

Text samples 


While the contemporary post-modern Capitalist/Marxist Neoliberal music industry may WoW consumers with a sophisticated aesthetic  of high end production and low content or mesmerize audiences with well  trained monkey acts or so called avant-garde performers who possess the  functional skills required to reduce art to artistry in the service of  affectations, my work is quite different.

I set out to further art and truth. I go  to great efforts to comprehend the sophisticated and create  intellectually substantive content and then present it in the most  unpretentious way I can. This song is a good example of how I endeavor  do this using a rudimentary Country Pop aesthetic to elucidate an  understanding of the complex, clarify rather than spin the sophistry and  potentially expose, deceit. The lyric song is itself the sophisticated content (i.e. actual content) rather than, the-other-way-around.

That is to say, the production or  produced product is not the primary sophisticated so-called, content  (i.e. artificial content). Artifice is hereby identified and made to  complement or enhance, whereby the word enhance means to help  to explain but not alter, rather than compromise the integrity of the  art. Of course only those with the wherewithal who also take the time to  comprehend the song will recognise this to be the case and therein lies  the (propaganda) dilemma but also the ethic. The song exists both apart  (from) yet also exhibits comprehension of the sophisticated. It is  thereby cognisant of but not complicit in the deceit.

The song is educational. I attempt to  illuminate or clarify sophistry rather than spin or leverage it and this  is in large part why, a dressing of frivolous affectations however  aesthetically compelling for je ne sais quoi or market share,  would surely only detract from the objective. The sophistry to be  identified and ultimately illuminated or clarified is diabolical enough  in and of itself to require no further submission or coddling. Naive  treatment of the aesthetic is therefore best in order to not distinguish  or elevate it from the content it should serve to imbue … rather than  have it, the aesthetic, serve something else entirely. To give truth a  fighting chance! I wonder how many people grasp this? Too few! 

To reiterate, my intention behind the loaded multimedia,  namely, the propaganda synesthesia of conflating contradistinctions via  words & visuals that should leave anyone, whether Liberal or  Conservative feeling conflicted, is, the host population audience needs  to acquire a discriminating sensibility  (eye & ear) for sophistry in order to better discern truth. This is  required, if we, as host populations, are to extricate ourselves from  the false parasitical parallels of The Divide & Steal and return to  our true paths (Aryan ideal) thereby proving ourselves worthy of  Self-Determination whereby the natural order is restored and The  [corporate/carnal-man] System serves rather than subjugates, The  [hu-man] Kingdom.  

Neoliberalism hijacked the traditional Western Liberal Left and turned it into the Politically Correct Identity Politics  of the contemporary New pseudo Left in order to neuter representation  of Labor (i.e. the worker) in the chain of supply. New Left PCID – Politically Correct Identity Politics  – is a contemporary form of Cultural Marxism. Instead, however, of  empowering the Western World’s collective of ordinary working people  through cultural institutions as the ideal of Cultural Marxism  originally intended (supposedly), the movement is hijacked/subverted by  Special Interests to facilitate what I refer to in this song as their  own Crony Capitalist Crypto Communist #NeoHegeMonopolistic Corporate  Supremacy NWO agenda.

This is why many Anti-Fa and SJW’s and LGBTQ+ and contemporary Liberals are referred to as the Lunatic Left or Globalists’ Useful Idiots. They may genuinely believe they are being Humane (i.e. Anti-Racist and Compassionate for Refugees etc.) but they are often Lumpen Proletariat  who are being used divisively as Foot Soldiers or Cannon Fodder or  Celebrity Mouth Pieces to do the Politically Correct grunt work for  their nemesis’, namely, the Crony Capitalist Crypto Communist  #NeoHegeMonopolistic Corporate Supremacy NWO … to undermine the Voice  and Representation of The People. This is the terrible irony.

Hypothetical Question: I’m  a little confused by the little green space man? I don’t quite  understand what’s going on with him exactly? Especially at the end? Does  his space ship vaporize Donald Trump? Please explain?

Answer: Yes. Good question. The Green Space Man represents other levels of this dynamic. The gist of it is …

When you see the Flash of the little  Green Space Man going from Big Roger (i.e. The Red Kangaroo) to the TIDY  TOWN train station it’s because Big Roger likes to discover, pick up  and crush shiny objects and one day he found the little Green Man’s  Space Ship in The Outback (i.e. arid Australian in-lands) and when Roger  started crushing it the little Green Space Man had to make a quick  exit. The TIDY TOWN train station was the closest remarkable spot while  transporting at short notice!

As for, Donald J. Trump. He bet his money  and reputation on the True Blue Truck. Some may believe his intentions  are honorable or True while others are convinced he has hijacked that  truck for his own selfish Capitalist ambitions or to facilitate the  agenda of his worldly … blah blah blah or maybe just Google, US6506148-B2

“Fascist American Cognitive Dissonance” is what it is and not necessarily a bad thing because of course “Utopia” whether Communist or anything else is also what it is. Utopian. It’s not real … unless it is. In other words, in order to be real it must also be true.

Accordingly, most “DumbFuckistanis” (whether they actually recognize it or not) should have a reasonably well honed “BS Detector” in this regard. In other words, IF “… it’s too Good to be True” then it probably is too good not to be true per se but rather too good to be Real especially if the word “Communist” is involved. This doesn’t mean the principled Utopian  ideal is wrong so much as it is correct to suspect it is subverted or  hijacked by and for Special Corporate Interests … unless of course, it’s not.

For example. The Duke in a Pink Hollywood Cowboy Shirt represents “The American Dream” or a “Principled Communist (i.e. a contradiction in terms) Utopia (i.e. lacks pragmatic plausibility) of The Host For The People”  with which the Hollywood PSYOP is on board. Yet what are the most  famous words The Duke ever uttered? Correct me if I’m wrong but I  believe they were, “That’ll Be The Day!”

Yes, you may be interested to dedicate some time to considering things according to my view or speculative-bias, that … while Utopia isn’t Real (unless it is) it may, albeit fiction, be True and while Dystopia isn’t True it may, albeit non-fiction, be Real.

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