I think the challenge will be to define 'performativity', especially through lineages of identity versus language. Hell, even then it's probably naive of me to make that distinction, since some performances flat out depend on language to be performative (Austin's for instance).
I'm using 'the Suck' dramatically because I don't think it's a particularly 'winnable' subject. Those who aren't familiar with performativity will probably think I'm hugely overreaching, whereas those whom are will probably think I'm not going far enough / I'm using the wrong lens.
Overall, it's gonna be interesting.