Scott Detweiler is creating Photography
Conceptual portrait photographer working on creative & artistic projects
5
$110
Milestone Goals
Video Training
I have some grand plans on video tutorials. In order to do these I need to have enough income to set aside the time and hire a crew. This would include behind the scenes videos as well as ongoing training.
Studio Upgrades
I would love to add some additional shooting bays as well as some carpeting and flooring options.
New Lens
I am looking to purchase a new lens as well as upgrade some of my equipment to shoot people in the face!
New Camera Body
Time to upgrade that camera body as well as get a new light in the studio.
About
I have also been an artist and painter since I was quite young when I worked with pen & ink, marker, and acrylic but have only been a serious photographer for a few years.
Initially I became interested in Photoshop over a decade ago when it still came on floppy disks. My motivation to actually focus on photography came when I realized that no matter how I modified an image it was never truly mine, mentally or legally. I could paint or manipulate the image for hours or days, and never actually own.
The decision to start shooting my own stock started me on the journey I am on today. My initial challenges were basically lighting related. I could envision the image I wanted, but getting the lights to cooperate was a constant source of frustration. To get past this I shot as often as possible, and by changing small variables each time I learned how my alterations were affecting my images.
As a Physics major I enjoy the technical aspects of photography. I like to know my camera settings, angles, focus depth, fall-off, as well as other aspects of the scene that directly effect the result. By understanding how an image will look at 24mm verses 200mm, or when lit by a larger or smaller apparent light source, it becomes easier to make creative decisions.
In our studio challenge each other to set up complete scenes and take a single photo without test shots. This has greatly improved our abilities to create successful scenes from our imagination, even on location or group shoots where planning isn't much of an option. We are always learning and trying new ideas.
Our challenges now lie in finding dependable muses, unique designers, and amazing stylists that can work in a collaboration. I am quite blessed with a bevy of such individuals here in the Milwaukee area, where we can additionally pull talent from Green Bay, Madison, and Chicago when needed.
Most of my work is now commercial photography and retouching as well as shooting fashion. I do corporate headshots as well as catalog and magazine work, but love the occasional commission for something much more artistic.
Teaching others is something I enjoy doing via workshops, speaking engagements, or traveling to shoots as often as possible. I also do themed shoots, workshops on lighting, posing, and post production seminars that are open to the public at my studio near Milwaukee, WI.
I love passing on my knowledge to those who are now facing similar frustrations with the technical aspects of this awesome artistic outlet.
Initially I became interested in Photoshop over a decade ago when it still came on floppy disks. My motivation to actually focus on photography came when I realized that no matter how I modified an image it was never truly mine, mentally or legally. I could paint or manipulate the image for hours or days, and never actually own.
The decision to start shooting my own stock started me on the journey I am on today. My initial challenges were basically lighting related. I could envision the image I wanted, but getting the lights to cooperate was a constant source of frustration. To get past this I shot as often as possible, and by changing small variables each time I learned how my alterations were affecting my images.
As a Physics major I enjoy the technical aspects of photography. I like to know my camera settings, angles, focus depth, fall-off, as well as other aspects of the scene that directly effect the result. By understanding how an image will look at 24mm verses 200mm, or when lit by a larger or smaller apparent light source, it becomes easier to make creative decisions.
In our studio challenge each other to set up complete scenes and take a single photo without test shots. This has greatly improved our abilities to create successful scenes from our imagination, even on location or group shoots where planning isn't much of an option. We are always learning and trying new ideas.
Our challenges now lie in finding dependable muses, unique designers, and amazing stylists that can work in a collaboration. I am quite blessed with a bevy of such individuals here in the Milwaukee area, where we can additionally pull talent from Green Bay, Madison, and Chicago when needed.
Most of my work is now commercial photography and retouching as well as shooting fashion. I do corporate headshots as well as catalog and magazine work, but love the occasional commission for something much more artistic.
Teaching others is something I enjoy doing via workshops, speaking engagements, or traveling to shoots as often as possible. I also do themed shoots, workshops on lighting, posing, and post production seminars that are open to the public at my studio near Milwaukee, WI.
I love passing on my knowledge to those who are now facing similar frustrations with the technical aspects of this awesome artistic outlet.
Location
Milwaukee, WI, USA
Top PatronsSee all 5
I am working towards more education of photographers with an artistic eye. Not so much glamour photography, but more painterly and images that push the creativity of the artist. Doing more workshops and upgrading my aging equipment are my current goals, but overtime I would love to focus only on workshops. Traveling to as many places as I can to teach those interested in being artistic photographers would be a dream come true. Can you help me get there?
Your simplest way of showing me you really love my work! It's only a $1, but it all adds up!
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